{"version":"1.0","provider_name":"LAB Focus","provider_url":"https:\/\/blogit.lab.fi\/labfocus","author_name":"tainask","author_url":"https:\/\/blogit.lab.fi\/labfocus\/author\/tainask\/","title":"Festivaalikes\u00e4 2025 \u2013 mit\u00e4 siit\u00e4 j\u00e4i k\u00e4teen? - LAB Focus","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"41Z73r27Xq\"><a href=\"https:\/\/blogit.lab.fi\/labfocus\/festivaalikesa-2025-mita-siita-jai-kateen\/\">Festivaalikes\u00e4 2025 \u2013 mit\u00e4 siit\u00e4 j\u00e4i k\u00e4teen?<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blogit.lab.fi\/labfocus\/festivaalikesa-2025-mita-siita-jai-kateen\/embed\/#?secret=41Z73r27Xq\" width=\"600\" height=\"338\" title=\"&#8221;Festivaalikes\u00e4 2025 \u2013 mit\u00e4 siit\u00e4 j\u00e4i k\u00e4teen?&#8221; &#8212; LAB Focus\" data-secret=\"41Z73r27Xq\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/blogit.lab.fi\/labfocus\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Kes\u00e4n 2025 festivaalikausi on p\u00e4\u00e4ttynyt, ja nyt on aika arvioida kriittisesti, millaisen j\u00e4ljen se j\u00e4tti suomalaiseen tapahtumateollisuuteen. Pintapuolisesti tarkasteltuina luvut n\u00e4ytt\u00e4v\u00e4t positiivisilta: rytmimusiikin festivaaleja j\u00e4rjestettiin Suomessa l\u00e4hes 520, ja k\u00e4vij\u00e4m\u00e4\u00e4r\u00e4t palasivat vuoden 2024 tasolle (LiveFIN 2025). Syvemm\u00e4lle katsottaessa paljastuu kuitenkin kentt\u00e4, jossa rakenteelliset haasteet ja toimintaymp\u00e4rist\u00f6n muutos vaativat j\u00e4lleen aktiivisia toimia koko alalta. Taloudellinen yhteenveto [&hellip;]","thumbnail_url":"https:\/\/blogit.lab.fi\/labfocus\/wp-content\/uploads\/sites\/8\/2025\/11\/423_2025_Festivaalikesa-2025.jpg","thumbnail_width":1280,"thumbnail_height":753}